Am fascinated with camouflage these days. Hunter or hunted. Hidden messages. Hidden emotions. Also, it’s fun and clever. Pink spots make me smile.
Very excited to be featured in this article by Robert F. James in the Public Broadcasting Service online journal, Next Avenue. And, thanks to Danielle Glosser, Principal of Client Raiser, for putting us together.
I’m so honored to have my enigmatic painting on the cover of the September 2020 issue of American Psychologist Journal. Now in the custody of one of my collectors, this painting has always been one of my favorites. I like the color, the movement, and the ambiguity. I feel yellow always conveys hopeful and positive emotions
The title comes from a poem by Theodore Roethke, a Pacific Northwest poet much beloved during my undergraduate years. Both poem and painting exude a sense of loss as well as moving on into the future. The image imagines a confidence and purpose as the figure continues on the journey. More on this in a future post.
Happy fall to all of you.
In Georgetown, Susan Calloway Fine Arts has been featuring my solo exhibit Inner/Outer this September and October. Lots of media buzz from the Washington Post’s Mark Jenkins and Ari Post writing for The Georgetowner.
A few words about the show. Drips, re-stated lines, contrasting color and visible brushwork all help convey the tension and ambiguity that form my signature style. In approaching the subject of the face and the human body, I respond to the feelings behind the facade to suggest resolve, fear, pride, frailty or other emotion. My goal is to suggest a kind of chaos that invites viewers to make their own interpretation. These paintings might best be described as coping with turmoil…Like modern life.
In focusing on figurative paintings, I have been hinting primarily at emotions largely hidden in real life. This theme involves depicting what is felt rather than what is seen. In this new work the subject has been caught in a private moment of personal awareness. He claims his space, but remains alert. There and not there.
Inner/Outer, the title for my upcoming exhibition at Susan Calloway Fine Arts in Washington, DC, will feature this painting. It exemplifies the tone of the show. While distinct, each canvas suggests a kind of chaos which has just occurred, which could occur, or which is occurring. The outer facade may appear calm and controlled, yet the inner reality seethes with passion – courage, tenacity, rage, confusion, vulnerability, etc. Is that what it means to be human?