I am loving this painting for the unexpected red (oil stick I picked up in Paris). I like the vibration that the red gives off, as well as the feeling of isolation in a landscape where he could so easily merge without identity. Merging is fine, but standing out and making a difference, claiming your space, is better. We only have one life. Make it count!
A lot going on in the studio. Several paintings in various stages of completion, juggling upcoming shows, arranging shipping and all the other activities involved in running a studio. It’s all a blast, with the creative part the best. I like to try new things – color, pose, emotion, type of paint, collage, and more. I think it’s important to get out of one’s comfort zone and break lose. Anything goes. Anything is possible. What if?
This exciting solo exhibit features many of my newest abstract figurative paintings. Like all of my artwork, it explores the blur between reality and the imagined, depicting emotions and feelings.
The title Naked to the Bone is particularly apt because it comes from one of my favorite poems by Pacific Northwest poet Theodore Roethke, much celebrated in the 1950s and 1960s. The poem “Open House” expresses the emotion of having your innermost feelings on show – I think it has particular relevance for this special exhibition:
Am selecting pieces from the studio for my upcoming solo exhibit at d’Art Center, Norfolk, Virginia July 1 – 25, 2021. This newly completed painting, Roy 48×48 inches, may make the cut. I particularly like the way the black color grounds and strengthens the figure, making a powerful and compelling statement against the lush background. It epitomizes the rich relationship between ourselves and our surroundings, often at odds, yet inevitably part of one another.
Very excited to be featured in this article by Robert F. James in the Public Broadcasting Service online journal, Next Avenue. And, thanks to Danielle Glosser, Principal of Client Raiser, for putting us together.
This is a small sample of my solo Divergent Impulses at Calloway Fine Art & Consultingin Washington, DC, available online through June 5. All new and exciting figurative work out of my imagination. Most of the 15 paintings featured in the show are 36×48 canvases. I think they make any room in the home or office more interesting.
This orange figure is 60×36 inches, acrylic and house paint on canvas by Washington, DC-artist Leslie M. Nolan
Very honored to be juried into the Spring Exhibit of the prestigious Maryland Federation of Art in Annapolis. Originally planned for the Circle Gallery, the coronavirus pandemic has caused the exhibit to be online at the organization’s virtual Curve Gallery. Check it out at http://www.mdfedart.com.
A big thanks to juror Paul Reuther, artist and teacher at Montgomery College in Rockville, MD. He also teaches at the Corcoran School of Arts and Design at George Washington University in Washington, DC. In addition, I want to highlight the terrific work of the talented staff of Maryland Federation of Art for their considerable efforts during this difficult period.
The exhibit is available online through May 30 and this piece is for sale.
It’s important to see artwork in a room to envision how it might look to live with every day. I prefer art that commands attention, catches at a glance, and doesn’t blend into the wallpaper. This sitting room is made vibrant and relevant with interesting, dynamic paintings filled with color and attitude. It looks young and filled with potential. Check out my artwork available at Calloway Fine Art & Consulting in Washington, DC’s prestigious Georgetown area.