68″x64″ mixed media on canvas, titled Jenna, in the studio. Bigger is definitely better and more fun. This charming, clever gal makes a terrific addition to any space, forming a witty backdrop to conversation and creativity. Contact the artist for purchase.
This enigmatic piece has been accepted into the national juried exhibition of the Marin Museum of Contemporary Art in California. The exhibition, “Content Matters,” features “consequential work that tells stories and captures the attention of visitors.”
My painting is the first in my “Corrected Vision” series which addresses feeling and seeing and the moment when one’s ideas have finally clarified. Sometimes we are blinded by misperception, wishful thinking and faulty logic. This series of paintings reflects the moment of clarity when truth is revealed. We have all experienced periods of being mislead or of assuming the best, and I think everyone can empathize with the emotion of finally recognizing the stark truth.
The exhibition’s curator and judge is well-known San Francisco gallerist Jack Fischer. Thanks to Marin MOCA for the opportunity! If you’re in the area, stop by and check out the show. This artwork is for sale.
Marin MOCA — 500 Palm Drive, Novato, CA – – marinmoca.org — email@example.com
June 15 – August 4, 2019 — Opening Reception June 15, 5-7 p.m.
These are two paintings from my new series of figures showing women striking the same pose. It proved to be a fun and challenging project. Completely out of my imagination, the figures more than fill the space of the canvas. They’re pink, purple, white, and black with bright-colored backgrounds. By adopting a confident, casual pose each figure exudes energy, independence and freedom. I like the feel of these paintings. They’re diverse, yet similar. They’re bold, yet not in your face. They seem to be celebrating both uniqueness and commonality — appealing concepts for all people.
Corrected Vision 7, 24×24 inches acrylic on canvas, above, has been selected for the collection of Washington, DC via a grant from the DC Commission on the Arts and Humanities. I’m honored for this delightful piece to have been chosen from among the many applicants.
A big “Thank you” to Zoma Wallace, DC Art Bank Coordinator, and Lauren Dugas Glover, Public Art Manager, both with the DC Commission on the Arts and Humanities.
Just shipped this handsome guy to George Billis Gallery in the Culver City art district of Los Angeles for the LA Invitational. I’m honored to be in this exhibit, curated by Tressa Wiliams, Gallery Director. If you’re in the area, stop by and see the show.
By the way, George Billis Gallery is also in New York City, located in the heart of the Chelsea art district.
George Billis Gallery
2716 S. La Cienega Blvd, Los Angeles, CA
Show Dates — July 28 – August 25, 2018
Opening Reception — Saturday, July 28, 6-8 pm
Karl, 30″x24″ acrylic on canvas, is one of 17 artworks that form Flip-Side, my upcoming solo exhibit at Hill Center Gallery on Capitol Hill in Washington, DC. Many thanks to Gallery Director Nicky Cymrot for the opportunity.
These abstracted figure paintings continue a theme I’ve been developing over the past several years – that is, depicting what is felt rather than what is seen. Featuring ordinary people in states of vulnerability, confusion or courage, the paintings focus on moods as interpreted by facial and body language, vibrant color and bold brushwork. There exists a public side that we present to the world, and a private flip-side that reflects doubt and turmoil. Loss of control frequently pervades, as though the subject has been taken outside his or her comfort zone. Sounds like a modern, topical theme for today’s life, doesn’t it?
On Exhibit May 3 – June 23, 2018
Opening Reception Wednesday, May 9, 6:30 – 8:30 pm
Hill Center Gallery at the Old Naval Hospital
921 Pennsylvania Avenue NE, Washington DC
An artwork starts with an idea – what to convey. Since I strive for ambiguity, I think Leon (above) achieved that goal.
Then decisions about how best to convey that idea. In my case, it comes down to paint on canvas, color choices, close up or full body image of the figure, placement in the rectangle, whether tools will be brush or palette knife, shiny or matte finish…
All decisions affect the outcome and feel of the artwork. These choices – i.e., the process – become mere means to an end. The critical issue remains, “What is the goal?”
I always start with a quick cartoon on blank canvas. Expanding on that, I then add background color on the figure to integrate the figure with its surroundings, and spend the rest of my efforts working on an overall unified piece that results in a stand-alone, wow image never seen before. In between sessions there is time to dry. But, I find that overworking can kill an artwork, so less is more.