I am loving this painting for the unexpected red (oil stick I picked up in Paris). I like the vibration that the red gives off, as well as the feeling of isolation in a landscape where he could so easily merge without identity. Merging is fine, but standing out and making a difference, claiming your space, is better. We only have one life. Make it count!
A lot going on in the studio. Several paintings in various stages of completion, juggling upcoming shows, arranging shipping and all the other activities involved in running a studio. It’s all a blast, with the creative part the best. I like to try new things – color, pose, emotion, type of paint, collage, and more. I think it’s important to get out of one’s comfort zone and break lose. Anything goes. Anything is possible. What if?
This exciting solo exhibit features many of my newest abstract figurative paintings. Like all of my artwork, it explores the blur between reality and the imagined, depicting emotions and feelings.
The title Naked to the Bone is particularly apt because it comes from one of my favorite poems by Pacific Northwest poet Theodore Roethke, much celebrated in the 1950s and 1960s. The poem “Open House” expresses the emotion of having your innermost feelings on show – I think it has particular relevance for this special exhibition:
Am selecting pieces from the studio for my upcoming solo exhibit at d’Art Center, Norfolk, Virginia July 1 – 25, 2021. This newly completed painting, Roy 48×48 inches, may make the cut. I particularly like the way the black color grounds and strengthens the figure, making a powerful and compelling statement against the lush background. It epitomizes the rich relationship between ourselves and our surroundings, often at odds, yet inevitably part of one another.
Honored by the selection of this interesting painting in the 58th annual juried exhibition of this terrific art museum in Monroe, Louisiana. Due to renovations, the exhibit is on view at the North East Louisiana African American Heritage Museum. On display through May 2021.
The studio in winter, with good light streaming in from window doors, makes a happy place to be as wild and crazy, bold and risky, unexpected and original as any artist could desire. Neatness does not count! The important thing is to try something new. Trust oneself.
This is the first painting of 2021 completed in the studio. The January chill in the air mandates bundlng up in painted layers of silk, flannel, wool, and down quilting. Perhaps that explains the choice of white and icy blue in Sara, above. The rust-red helps to impart a warmer feel to this free-wheeling painting. I think we should all be celebrating the move into a new year promising hope and change. Fingers crossed!