I am loving this painting for the unexpected red (oil stick I picked up in Paris). I like the vibration that the red gives off, as well as the feeling of isolation in a landscape where he could so easily merge without identity. Merging is fine, but standing out and making a difference, claiming your space, is better. We only have one life. Make it count!
A lot going on in the studio. Several paintings in various stages of completion, juggling upcoming shows, arranging shipping and all the other activities involved in running a studio. It’s all a blast, with the creative part the best. I like to try new things – color, pose, emotion, type of paint, collage, and more. I think it’s important to get out of one’s comfort zone and break lose. Anything goes. Anything is possible. What if?
This exciting solo exhibit features many of my newest abstract figurative paintings. Like all of my artwork, it explores the blur between reality and the imagined, depicting emotions and feelings.
The title Naked to the Bone is particularly apt because it comes from one of my favorite poems by Pacific Northwest poet Theodore Roethke, much celebrated in the 1950s and 1960s. The poem “Open House” expresses the emotion of having your innermost feelings on show – I think it has particular relevance for this special exhibition:
Am selecting pieces from the studio for my upcoming solo exhibit at d’Art Center, Norfolk, Virginia July 1 – 25, 2021. This newly completed painting, Roy 48×48 inches, may make the cut. I particularly like the way the black color grounds and strengthens the figure, making a powerful and compelling statement against the lush background. It epitomizes the rich relationship between ourselves and our surroundings, often at odds, yet inevitably part of one another.
Just completed this darling small painting, which I think exemplifies the confusion, uncertainty and bizarre-ness of this current era of coronavirus pandemic. In addition to real danger from the spreading virus, our entire way of life has altered, creating a need to adapt in a unique environment.
Jesse, an imaginary figure, will thrive and serve to remind us of this historic period in our lives long into the future.
Artwork available through Calloway Fine Art & Consulting
This highly personal artwork has just been juried into the National Exhibition “Ethos: Spirit of Community” at the Fredericksburg Center for Creative Arts Gallery. Opening on August 1, 2020, the exhibit runs through the month, featuring work juried by guest curator Carolyn Goodridge.
“Oluf,” 36×36 inches is an acrylic painting on stretched canvas completed in 2019. The artwork is a highly personal image, the imaginary visage of my great grandfather Oluf who immigrated to Montana from Norway in 1857. Having left his home due to crop failures and economic poverty, he sought a better life in the United States, and became one of the earliest pioneers in the Farmington area where he ranched and raised a family.
His story in this painting exudes the feeling of independence, resourcefulness, tenacity and daring which characterizes both strong pioneer temperament and immigrant experience.
68″x64″ mixed media on canvas, titled Jenna, in the studio. Bigger is definitely better and more fun. This charming, clever gal makes a terrific addition to any space, forming a witty backdrop to conversation and creativity. Contact the artist for purchase.
Washington, DC Artist Leslie M. Nolan and model/actor John Wisor at the George Billis Gallery LA
From the opening night party of the LA Invitational at George Billis Gallery. The wonderful John Wisor featured prominently in a collaborative video between myself and artist/videographer/photographer Anthony Dortch (instagram@dortchdesigns). Soon to be posted here. The video highlighted another painting in the Corrected Vision series, and luckily enough John turned out to be the perfect model to represent the living subject of the series. Mirabile dictu!
If you’re in Los Angeles, drop by George Billis Gallery in the Culver City Arts District to see the show, up through August 25.
Excited to have Corrected Vision 5, far right, selected for the LA Invitational at George Billis Gallery LA. A great art city, Los Angeles celebrates contemporary art with a ton of top notch galleries and first rate museums. Kudos to gallery director Tressa Williams for organizing and curating this super show.
Under Wraps 3, 36″x48″ acrylic on canvas, by Washington DC artist Leslie Nolan
Many, many thanks to juror Annette Polan for selecting this cute painting for the highly competitive regional exhibition on Capitol Hill and conferring it Third Place. A renowned nationally-feted portrait artist, Annette knows her figures. She painted the official portrait of Supreme Court Justice Sandra Day O’Connor. Thanks also to Exhibitions Director Nicky Cymrot and her staff for making this possible.
The exhibit closes September 23, so there’s plenty of time to drop by and catch the show:
Hill Center Galleries
at the Old Naval Hospital, 921 Pennsylvania Ave SE, Washington DC