68″x64″ mixed media on canvas, titled Jenna, in the studio. Bigger is definitely better and more fun. This charming, clever gal makes a terrific addition to any space, forming a witty backdrop to conversation and creativity. Contact the artist for purchase.
From the opening night party of the LA Invitational at George Billis Gallery. The wonderful John Wisor featured prominently in a collaborative video between myself and artist/videographer/photographer Anthony Dortch (instagram@dortchdesigns). Soon to be posted here. The video highlighted another painting in the Corrected Vision series, and luckily enough John turned out to be the perfect model to represent the living subject of the series. Mirabile dictu!
If you’re in Los Angeles, drop by George Billis Gallery in the Culver City Arts District to see the show, up through August 25.
Excited to have Corrected Vision 5, far right, selected for the LA Invitational at George Billis Gallery LA. A great art city, Los Angeles celebrates contemporary art with a ton of top notch galleries and first rate museums. Kudos to gallery director Tressa Williams for organizing and curating this super show.
Many, many thanks to juror Annette Polan for selecting this cute painting for the highly competitive regional exhibition on Capitol Hill and conferring it Third Place. A renowned nationally-feted portrait artist, Annette knows her figures. She painted the official portrait of Supreme Court Justice Sandra Day O’Connor. Thanks also to Exhibitions Director Nicky Cymrot and her staff for making this possible.
The exhibit closes September 23, so there’s plenty of time to drop by and catch the show:
Hill Center Galleries
at the Old Naval Hospital, 921 Pennsylvania Ave SE, Washington DC
An artwork starts with an idea – what to convey. Since I strive for ambiguity, I think Leon (above) achieved that goal.
Then decisions about how best to convey that idea. In my case, it comes down to paint on canvas, color choices, close up or full body image of the figure, placement in the rectangle, whether tools will be brush or palette knife, shiny or matte finish…
All decisions affect the outcome and feel of the artwork. These choices – i.e., the process – become mere means to an end. The critical issue remains, “What is the goal?”
I always start with a quick cartoon on blank canvas. Expanding on that, I then add background color on the figure to integrate the figure with its surroundings, and spend the rest of my efforts working on an overall unified piece that results in a stand-alone, wow image never seen before. In between sessions there is time to dry. But, I find that overworking can kill an artwork, so less is more.
These abstracts are 36″x36″ paint on canvas and available at the studio.
Nice to range work around the studio and see them together as a group. Very compatible and complementary. Must get to work now!
This gallery contains 2 photos.
Two acrylic-on-canvas paintings with completely different feel and affect. One, young vital, upright and confident — the other, a study in motion and instability, tentative and anxious. The colors remain the same, only reversed. But, gestural brushwork and pose … Continue reading
These two new paintings will be featured in my upcoming August 2017 solo exhibition – Seduction – at the Old Town Alexandria, Virginia Athenaeum Gallery.
Both pieces, 36″x60″ acrylic on canvas, feature a man with great dignity and power, yet the images are infused with color and an other-worldly feeling. Ambiguity, uncertainty, perhaps fleeting glimpses of reality infuse these abstracted visuals of modern life.