It takes a lot of effort to install hanging wire, protective wrapping, box, and transport artwork from the studio to the gallery. Never mind the daily activity of submissions to exhibits, getting the word out, and all the nuts and bolts of being a working artist. Basically, it’s not all glamorous. Non-creative work dominates if an artist expects the art to be sold and exhibited. The real saint in this endeavor remains the uncomplaining and patient assistant taking photos, putting screws in, and doing the heavy lifting.
Gunnar, above, is being wrapped for tomorrow’s transfer to the Allegany Arts Council along with Amy, which is also featured in the Cumberland MD exhibition August 6-27.
Two of my artworks from 2021 are featured at the upcoming exhibition Marina to Mountains at the Allegany Arts Council in Cumberland, MD. This bold, exciting piece, “Amy,” is filled with contradiction. The overall soft color palette presents a calm, serene image which is offset by dynamic and electric black and red outlines. It proclaims that there is much more to Amy than what first appears.
Don’t you love a piece that encourages thinking? There are no simple answers here, only interpretations. I hope you enjoy the mystery of her as much as I enjoyed the making!
Located in the Schwab/Saville Galleries at Cumberland, MD, the exhibit opens with a reception August 6, 6-8 pm and closes August 27, 2022.
Rodrigo, above, and 14 other paintings of mine – many completed the past two years during the pandemic – are on exhibit at the delightful Arts Club of Washington in February 2022. This show represents my newest work in abstract contemporary figure painting with an emphasis on faces and emotions.
In these paintings I reconsider how to view the human form, particularl as it relates to conditions of stress and fragility. Using color, texture and composition, I apply different degrees of abstraction to reveal the intimacy of a private experience.
Arts Club of Washington
2017 I St NW Washington DC 20006 Club Hours Tuesday – Friday 10-5; Saturday 10-2
Free and Open to the Public – masks and vaccination proof required at this time
I am loving this painting for the unexpected red (oil stick I picked up in Paris). I like the vibration that the red gives off, as well as the feeling of isolation in a landscape where he could so easily merge without identity. Merging is fine, but standing out and making a difference, claiming your space, is better. We only have one life. Make it count!
A lot going on in the studio. Several paintings in various stages of completion, juggling upcoming shows, arranging shipping and all the other activities involved in running a studio. It’s all a blast, with the creative part the best. I like to try new things – color, pose, emotion, type of paint, collage, and more. I think it’s important to get out of one’s comfort zone and break lose. Anything goes. Anything is possible. What if?
This exciting solo exhibit features many of my newest abstract figurative paintings. Like all of my artwork, it explores the blur between reality and the imagined, depicting emotions and feelings.
The title Naked to the Bone is particularly apt because it comes from one of my favorite poems by Pacific Northwest poet Theodore Roethke, much celebrated in the 1950s and 1960s. The poem “Open House” expresses the emotion of having your innermost feelings on show – I think it has particular relevance for this special exhibition:
Am selecting pieces from the studio for my upcoming solo exhibit at d’Art Center, Norfolk, Virginia July 1 – 25, 2021. This painting, “A Pulse Beyond 13,” 12×12 inches, may make the cut. I particularly like the way the black color dances around the square and strengthens the figure, making a powerful and compelling statement against the lush background. It epitomizes the rich relationship between ourselves and our surroundings, often at odds, yet inevitably part of one another.
Just completed this darling small painting, which I think exemplifies the confusion, uncertainty and bizarre-ness of this current era of coronavirus pandemic. In addition to real danger from the spreading virus, our entire way of life has altered, creating a need to adapt in a unique environment.
Jesse, an imaginary figure, will thrive and serve to remind us of this historic period in our lives long into the future.
Artwork available through Calloway Fine Art & Consulting
This highly personal artwork has just been juried into the National Exhibition “Ethos: Spirit of Community” at the Fredericksburg Center for Creative Arts Gallery. Opening on August 1, 2020, the exhibit runs through the month, featuring work juried by guest curator Carolyn Goodridge.
“Oluf,” 36×36 inches is an acrylic painting on stretched canvas completed in 2019. The artwork is a highly personal image, the imaginary visage of my great grandfather Oluf who immigrated to Montana from Norway in 1857. Having left his home due to crop failures and economic poverty, he sought a better life in the United States, and became one of the earliest pioneers in the Farmington area where he ranched and raised a family.
His story in this painting exudes the feeling of independence, resourcefulness, tenacity and daring which characterizes both strong pioneer temperament and immigrant experience.
68″x64″ mixed media on canvas, titled Jenna, in the studio. Bigger is definitely better and more fun. This charming, clever gal makes a terrific addition to any space, forming a witty backdrop to conversation and creativity. Contact the artist for purchase.