Tag Archives: Face to Face

Artexpo New York City

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Washington, DC’s Gallery NK has been representing me at special art fairs outside of town. I was one of a handful of their artists to exhibit at Artexpo New York City on pier 94.  Held during April 14-17, the event drew designers, collectors, and art enthusiasts.

I very much like the way Gallery NK displayed a selection of my new Corrected Vision paintings — all 36″x36″ acrylic on canvas.  Because the gallery boasts a collection of very talented, skilled, and innovative artists from around the world, I consider myself fortunate to be showcasing my own work with them.

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Gallery NK at Artexpo New York City

In addition to myself, exhibiting artists included Steffen Faisst, Nihal Kececi (Gallery NK owner), Julia Hacker, Alfredo Palmero, Thomas Dodd.

My thanks to Nihal Kececi of Gallery NK for the support and expert assistance in exhibiting at these world class international fairs.

Just a reminder:

Susan Calloway Fine Arts represents me exclusively in the Washington, DC area. 

Located in the heart of Georgetown at 1643 Wisconsin Avenue NW, Washington, DC, the Gallery graciously welcomes my exhibiting in other local venues from time to time for special exhibits.  She also has arranged for some artwork to be used temporarily by local decorators. 

Bottom line, you can see a number of my pieces right now at Susan Calloway’s.   And, many of the paintings on my website LeslieNolan.com and on this blog are available through Susan Calloway Fine Arts (gallery@callowayart.com).

 

Nolan @ Strathmore

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Installing Face To Face
Washington, DC Artist Leslie Nolan at Strathmore Mansion in Bethesda, MD

Check out Face To Face:  Portraits By Leslie Nolan and Scott Hutchison on exhibit now through April 17, 2016 at the Invitational Gallery, The Mansion at Strathmore, 10701 Rockville Pike, North Bethesda, MD 20852.

My portraits are not meant to be a technical likeness of a particular person, but to depict what is felt rather than what is seen.  Because I spent another career keeping secrets in my work abroad, my current interest is to express in painting universal feelings which remain largely hidden in real life.  Many of us cloak ourselves behind a veneer of success and confidence despite situations in our lives which wreak havoc with our emotions.  In these artworks, we peek into the subjects’ inner worlds as economic, political and social realities swirl around them.

 

 

 

“Face to Face” Opens at Strathmore

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Washington DC Artist Leslie M. Nolan

Eight figurative paintings of mine are now featured at Strathmore in this exciting two-artist show.  On exhibit through mid-April, “Face to Face” coincides with the delightful Japanese-inspired exhibit of kimonos, prints & textiles titled “Timeless Transformation,” part of the 2016 National Cherry Blossom Festival.  Many thanks to curator Harriet Lesser and Gallery Visual Arts Coordinator Gabrielle Tillenburg for their support and expertise.

Face to Face: Portraits By Leslie Nolan & Scott Hutchison

Strathmore Mansion Invitational Gallery

5301 Tuckerman Lane, North Bethesda, MD       301.581.5146      strathmore.org

Feb 27 – April 17, 2016       Opening Reception Sunday Feb 28, 2 pm

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Backward in Time by Leslie M. Nolan

At Strathmore With “Face to Face”

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GameChanger

Contemporary Fine Art by Leslie Nolan

Getting ready to install my 8-piece show at Strathmore.  Curator Harriet Lesser has paired me with another artist for this exciting exhibit in the Invitational Gallery:

FACE TO FACE:

PORTRAITS BY LESLIE NOLAN & SCOTT HUTCHINSON

Saturday February 27 – Sunday April 17, 2016

Opening Reception Thursday March 3 at 7 pm

10701 Rockville Pike, North Bethesda, MD

http://www.strathmore.org

The theme for the exhibit is based on our work in portraiture, examining the individual points of view of two artists.  For my own selections, my “portraits” convey emotion.  They’re not meant to be a technical likeness of a particular person.  Whether beginning with a model or photograph of a model, I then distort and exaggerate the pose or expression to suggest controlled chaos.  I imagine the individual in these paintings as reacting to money or job-related issues, loneliness, semi-stable environments, or familial concerns.  Filled with ambiguity, the paintings are meant to invite the viewer to make a personal interpretation.