Seduction + Gallery Talk

Yesterday’s Gallery Talk

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Artist Leslie Nolan with Gallery Director Twig Murray and Dr Erich Keel, retired Kreeger Museum art educator and historian

Lovely turnout with lively discussion at the Gallery Talk for my solo exhibit Seduction at Athenaeum Gallery.  Athenaeum is the jewel in the crown for the Northern Virginia Fine Arts Association. A beautiful, grand historic building that survived the Civil War as an army hospital, it is situated in the heart of Old Town Alexandria, VA, two blocks from the Potomac River from where you can see the Washington DC skyline.

How did this exhibit come about?  I had approached Gallery Director Twig Murray about exhibition opportunities, and she promptly dropped by the studio to see for herself.  Immediately falling in love with the massive pink and gray painting of a face (60″x96″ “Pulled By What Would Be”), she then and there offered me a solo for the following year.

Two months ago, Twig selected the rest of the artwork, including, to my delight, several recently completed paintings.  Artists always favor what they’ve just completed, because they’re moving forward, growing, changing.  It’s great when a gallerist encourages innovation, taking a risk, so to speak, on something different.

Stop by and catch the show, on exhibit through September 17.  Co-sponsored by Susan Calloway Fine Arts, Washington DC.

Washington Post Reviews “Seduction”

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Washington DC Artist Leslie Nolan’s Red Man

Join me for a Gallery Talk Sunday, Sept 10 at Athenaeum, 2 pm, along with Erich Keel, PhD, formerly head of education at the Kreeger Museum and erudite/fascinating art historian.  Seduction closes Sept 17.

Seduction at Athenaeum

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Leslie Nolan at Athenaeum

The Athenaeum Gallery in Alexandria VA, along with Susan Calloway Fine Arts of Washington DC (which represents me in this area), present Seduction, a solo exhibit featuring my newest paintings.

ATHENAEUM

201 Prince Street, Alexandria VA 703.548.0035 NVFAA.org

Seduction –Aug 10 – Sept 17

Opening reception Sunday Aug 13, 4-6 pm

Gallery Talk Sunday, Sept 10, 2 pm

The gallery talk will feature both me and Dr. L. Erich Keel.  Dr. Keel served as Head of Education for the Kreeger Museum until his retirement in 2013.  Currently he lectures on twentieth-century German art, leads art-themed study tours to Europe, and serves as a volunteer curator for the Arts Club of Washington exhibition program.  Keel earned a Ph.D. in Critical Theory from Emory University.

Gallery hours are Thursday Friday and Sunday from 12-4 pm;  Saturday from 1-4 pm.

 

Preparing for Solo at Athenaeum

IMG_20170429_111308082These two new paintings will be featured in my upcoming August 2017 solo exhibition – Seduction – at the Old Town Alexandria, Virginia Athenaeum Gallery.

Both pieces, 36″x60″ acrylic on canvas, feature a man with great dignity and power, yet the images are infused with color and an other-worldly feeling.  Ambiguity, uncertainty, perhaps fleeting glimpses of reality infuse these abstracted visuals of modern life.

 

Making New Artwork

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Studio of Washington, DC Artist Leslie Nolan’

In anticipation of the upcoming solo exhibit August 10 through September 17 at the Athenaeum in Old Town Alexandria,VA, working on some new paintings. So far, they’re all about the drip. Is there such a thing as too much? Perhaps, in fact, probably. But, my plan is to push the limits. Many thanks to Gallery Director/curator Twig Murray and the Northern Virginia Fine Arts Association for the sponsorship.

Athenaeum
201 Prince Street
Alexandria, Virginia

Opening – August 13 Sunday 4-6 pm
Gallery Talk – September 10 2pm with special guest Dr Erich Keel (former head of Education at the Kreeger Museum)

At Susan Calloway Fine Arts

Serge, 30″x30″, by Washington, DC Artist Leslie M. Nolan

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These newly completed paintings are now available at Georgetown’s Susan Calloway Fine Arts — 1643 Wisconsin Avenue NW, Washington, DC 20007.  http://www.callowayart.com

This grouping of paintings features fresh jazzy figures that have the feel of society on the edge. With  mostly vivid colors and painterly brush strokes, I’ve tried to maintain a blur between the real and imagined.   They have a contemporary aesthetic that’s infused with emotional tension.

As always, ambiguity and ambivalence rule.  All interpretations of these figures remain valid, possible, even probable.  I prefer that my paintings address those things that do not lend themselves to easy description.