Big Yellow Painting

In the Studio of Leslie Nolan

In the Studio of Leslie Nolan

Think this piece, 48″x48″, is finished.  I like the mono-colored look and the horizontal strokes used for the background.  Something different.

They say it takes two people to make an artwork:  one to paint and the other to say when to stop.  The process can be an interesting conundrum. It’s easy to constantly tweak, fix and improve, but  the risk entails overworking an artwork to the point of weariness that was meant to be fresh and vital.   Much better overall to try something new.  Just go for it.  Just own it.

 

More Corrected Visions

Leslie M. Nolan's work in the studio

Leslie M. Nolan’s work in the studio

Washington, DC Artist Leslie Nolan's "Corrected Vision"

Washington, DC Artist Leslie Nolan’s “Corrected Vision”

These new paintings are meant to complement Corrected Vision, now on exhibit through August 1 at McLean Project for the Arts (MPA) in its curated and juried exhibit “Strictly Painting.”  Curated by senior curator for modern and contemporary art at The Phillips Collection.

If you miss the MPA show, some or all of these will be in my solo exhibit in September at Susan Calloway Fine Arts, Georgetown.

I like the idea of playing with an idea and carrying it further.  Kind of like expressing a different tone or meaning of the same subject matter.  For these paintings, the subject revolves around one idea:  young or old, it’s easy to develop a blind spot.  Maybe that’s called survival.  Maybe denial.

McLean Project for the Arts

1234 Ingleside Avenue    McLean VA 22101    phone 703.790.1953    http://www.mpaart.org

 

 

 

 

 

‘Unfiltered’ at Touchstone Gallery, Washington, DC

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Fabulous opening at Touchstone Gallery of my “Unfiltered” exhibit.

Night Poem, Or?

"Night Poem" by Washington DC Artist Leslie Nolan  40"Wx60"H

“Night Poem” by Washington DC Artist Leslie Nolan
40″Wx60″H

I just finished this large piece, and at the last minute I decided I liked it best in a vertical vice horizontal formal.  The cool thing is that when hung vertically the right side looks terrifically interesting with the drips against the bare canvas around the edge.   Installed in a room in the house, this artwork has an enigmatic, yet rich feel, because I used some gray Duron wall paint the same as the wall color.   With a black chair in front of it the painting enhances the room, conveying an ultra modern chic.  It’s not meant to be decorative, however.  Read into the image whatever you like – seascape, landscape, fencing, snowy evening, icy roadway…It’s up to you.

Happy New Year

Washington DC Artist Leslie Nolan's "This Can't Go On"

Washington DC Artist Leslie Nolan’s “This Can’t Go On”

Just finished this new artwork – loose, exciting and unforgettable.  Have been thinking a lot about my mother and that there exists a linkage between mothers and daughters that transcends time, distance, and culture.  My mother has been and always will be my strength.  This artwork, though it bears no resemblance to her, has a strength and implacable perseverance that puts me in mind of her.

This upcoming new year represents a break from the past, so I have joined a new gallery, Susan Calloway Fine Arts in Georgetown, Washington, DC and am working on solo shows slated for September at both Calloway and the Delaplaine Arts Center in Frederick, MD.  2015 should be a fabulous year.

I wish you all the best!

 

 

 

Exhibit Closing at Arts Club of Washington

Leslie Nolan Exhibit at Arts Club of Washington

Leslie Nolan Exhibit at Arts Club of Washington

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Leslie Nolan’s “All I Got” (left) and “Freefall” at the Arts Club of Washington

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Leslie Nolan’s “Dystopian” and “Dystopian #2″ in the middle. Both 60″ high x 48” wide acrylic on canvas.

It’s always a moving experience (forgive the pun) taking down an exhibit, but particularly so at the wonderful Arts Club of Washington. On display all November in the Club’s imposing Monroe Gallery, the show was not only well-attended, but included a talk by curator Dr. Erich Keel and I was able to say a few words about the work.

In case you missed it, I’ve included below the Artist Statement:

“My approach to artwork involves depicting what is felt rather than what is seen.  Fascinated by the complexities of ordinary people, their faults, fears, resilience, and courage, I respond to the emotion behind the facade.  I try to reveal their vulnerability by focusing on moods as interpreted by faces and body language.

Because I spent another career keeping secrets in my work abroad, my current interest is to express in painting universal feelings, which remain largely hidden in real life.  We all cloak ourselves behind a veneer of success and confidence, yet situations in our lives wreak havoc with our emotions and motives, which lie just under the surface.

I begin by using models and photographs of models, then distort and exaggerate the pose or expression, making the subject appear to be undergoing inner turmoil, as though reacting to an outside influence.  I like the work to suggest controlled chaos, as if something important has happened to each subject.  In these images of the human figure, I imagine the individual as reacting to money or job-related issues, loneliness, semi-stable environments, or familial concerns.  Whatever the cause or situation, each artwork depicts the fragility of life.  Filled with questions, the paintings invite the viewer to connect the dots and develop his or her own interpretation.”

Just a reminder – I’m exclusively represented in the Washington, DC area by Susan Calloway Fine Arts in Georgetown.

Exhibiting at The Arts Club of Washington

Leslie Nolan at the Arts Club of Washington

Leslie Nolan at the Arts Club of Washington

This weekend I’m installing an exhibit at the venerable Arts Club of Washington.  Curated by Erich Keel, Head of Education at the Kreeger Museum (Emeritus), the show includes fellow artists Jane Godfrey and Bob Tetro.  This should be a big show.  Gallery Director Nichola Hays advised me to bring 20 artworks – that’s a lot of artwork, particularly since many pieces are 48″ x 60″.

Opening Reception – Friday Nov 7, 2014 – 6:30-8:30 pm – soft drinks, wine, snacks

 

Revisiting the (e)merge Experience

Artist Leslie Nolan at (e)merge art fair, DC

Artist Leslie Nolan at (e)merge art fair, DC

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Visitor With Leslie Nolan Artwork

Visitor With Leslie Nolan Artwork

Touchstone Gallery @ (e)merge

Touchstone Gallery @ (e)merge

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Touchstone Gallery Room at (e)merge 2014

Touchstone Gallery Room at (e)merge 2014

Above, some random photos of the Touchstone Gallery room at (e)merge art fair in Washington, DC. The fair, which ran from Oct 2-5, was jammed with folks who love art – buyers, curators, artists, art students, collectors, gallerists, and art writers. Lots of traffic and a very supportive administrative staff tending to the needs of participants. Kudos to the organizers and staffers who made it happen.

The Touchstone room attracted lots of visitors during this first year of participation.  Thanks to Gallery Director Ksenia Grishkova and Director’s Assistant Rachel Tanzi for their staffing, and to fellow exhibitors Ai-Wen Wu Kratz and Pete McCutchen for their fabulous artwork and assistance before, during and after.

 

 

Beyond the Edge

Artist Leslie Nolan's "Beyond the Edge" at The Art League Gallery

Artist Leslie Nolan’s “Beyond the Edge” at The Art League Gallery

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Check out this link for the gallery blog about Beyond the Edge this month. Want to thank all those who came out in support, including family, friends, and fellow artists, and, in particular, the Gallery staff who have been so helpful during this period.  They did a terrific job hanging the show.

At The Art League Gallery

Oct 9 – Nov 3

105 North Union, Alexandria, VA

 

 

 

Opening for “Beyond the Edge” at Art League Gallery!!

Leslie Nolan Solo Exhibit at The Art League Gallery

Leslie Nolan Solo Exhibit at The Art League Gallery

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Just delivered and unpacked artwork for this exciting solo appearance at the venerable Art League Gallery. Opening tomorrow, Oct 9, 6-8 pm.  Free and open to the public.  Drop by and join in on the festivities. Wine, cheese, and sparkling conversation!

Many thanks to Gallery Director Rose O’Donnell and Assistant Director Katie Andril (and her predecessor Katie Scharma) for their top-notch support throughout the two-year process of submission, jurying, acceptance, selection of artwork, and installation.  It’s an honor to be there.