Just finished this fun guy and am loving his bold take on life. At 68×66 inches, he makes a real pop of color and contemporary impact in any space.

Just finished this fun guy and am loving his bold take on life. At 68×66 inches, he makes a real pop of color and contemporary impact in any space.
Am fascinated with camouflage these days. Hunter or hunted. Hidden messages. Hidden emotions. Also, it’s fun and clever. Pink spots make me smile.
This exciting solo exhibit features many of my newest abstract figurative paintings. Like all of my artwork, it explores the blur between reality and the imagined, depicting emotions and feelings.
The title Naked to the Bone is particularly apt because it comes from one of my favorite poems by Pacific Northwest poet Theodore Roethke, much celebrated in the 1950s and 1960s. The poem “Open House” expresses the emotion of having your innermost feelings on show – I think it has particular relevance for this special exhibition:
“My secrets cry aloud…I’m naked to the bone”
Am selecting pieces from the studio for my upcoming solo exhibit at d’Art Center, Norfolk, Virginia July 1 – 25, 2021. This painting, “A Pulse Beyond 13,” 12×12 inches, may make the cut. I particularly like the way the black color dances around the square and strengthens the figure, making a powerful and compelling statement against the lush background. It epitomizes the rich relationship between ourselves and our surroundings, often at odds, yet inevitably part of one another.
Honored by the selection of this interesting painting in the 58th annual juried exhibition of this terrific art museum in Monroe, Louisiana. Due to renovations, the exhibit is on view at the North East Louisiana African American Heritage Museum. On display through May 2021.
Love these bold and colorful faces I just completed. They’re fun and a true celebration of color. They feel alive!
This is the first painting of 2021 completed in the studio. The January chill in the air mandates bundlng up in painted layers of silk, flannel, wool, and down quilting. Perhaps that explains the choice of white and icy blue in Sara, above. The rust-red helps to impart a warmer feel to this free-wheeling painting. I think we should all be celebrating the move into a new year promising hope and change. Fingers crossed!
There’s something about September in the studio. With the door open to the woods outside, the air feels different. Like the coming of fall. Full of hope and refreshing cool breezes. One of my favorite collectors left the studio yesterday with a captivating large artwork for a new space. As always, I’m humbled when collectors knock on my door for more. And, I’m on fire to do more…
I’m so honored to have my enigmatic painting on the cover of the September 2020 issue of American Psychologist Journal. Now in the custody of one of my collectors, this painting has always been one of my favorites. I like the color, the movement, and the ambiguity. I feel yellow always conveys hopeful and positive emotions
The title comes from a poem by Theodore Roethke, a Pacific Northwest poet much beloved during my undergraduate years. Both poem and painting exude a sense of loss as well as moving on into the future. The image imagines a confidence and purpose as the figure continues on the journey. More on this in a future post.
Happy fall to all of you.