Selecting and packing artwork bound for SCOPE Art Pavilion Miami Beach this week. Drop by and see the show at JanKossen Contemporary, Booth H35, at 8th St and Ocean Drive in the heart of lively South Beach. Dates: December 4-9. https://scope-art.com
Working in the studio on my newest painting, Anton, 48″ x 36″ acrylic on canvas.
Just shipped this handsome guy to George Billis Gallery in the Culver City art district of Los Angeles for the LA Invitational. I’m honored to be in this exhibit, curated by Tressa Wiliams, Gallery Director. If you’re in the area, stop by and see the show.
By the way, George Billis Gallery is also in New York City, located in the heart of the Chelsea art district.
George Billis Gallery
2716 S. La Cienega Blvd, Los Angeles, CA
Show Dates — July 28 – August 25, 2018
Opening Reception — Saturday, July 28, 6-8 pm
Many, many thanks to juror Annette Polan for selecting this cute painting for the highly competitive regional exhibition on Capitol Hill and conferring it Third Place. A renowned nationally-feted portrait artist, Annette knows her figures. She painted the official portrait of Supreme Court Justice Sandra Day O’Connor. Thanks also to Exhibitions Director Nicky Cymrot and her staff for making this possible.
The exhibit closes September 23, so there’s plenty of time to drop by and catch the show:
Hill Center Galleries
at the Old Naval Hospital, 921 Pennsylvania Ave SE, Washington DC
Flip Side, my solo exhibit at Hill Center Gallery in the Old Naval Hospital, is on display through June 23.
Location: 921 Pennsylvania Ave SE, Washington DC. http://www.hillcenterdc.org
Join me at my solo, Flip-Side, 17 new figurative paintings at Hill Center Galleries. Located in the historic Old Naval Hospital, the building was constructed during the Civil War. It’s a beautiful, stately structure on Capitol Hill at 921 Pennsylvania Ave NE, Washington DC. http://www.hillcenterdc.org.
Also, remember that Susan Calloway Fine Arts in the historic neighborhood of Georgetown represents me in Washington DC — 1643 Wisconsin Avenue, Washington DC. http://www.callowayart.com
An artwork starts with an idea – what to convey. Since I strive for ambiguity, I think Leon (above) achieved that goal.
Then decisions about how best to convey that idea. In my case, it comes down to paint on canvas, color choices, close up or full body image of the figure, placement in the rectangle, whether tools will be brush or palette knife, shiny or matte finish…
All decisions affect the outcome and feel of the artwork. These choices – i.e., the process – become mere means to an end. The critical issue remains, “What is the goal?”
I always start with a quick cartoon on blank canvas. Expanding on that, I then add background color on the figure to integrate the figure with its surroundings, and spend the rest of my efforts working on an overall unified piece that results in a stand-alone, wow image never seen before. In between sessions there is time to dry. But, I find that overworking can kill an artwork, so less is more.
These abstracts are 36″x36″ paint on canvas and available at the studio.
I spent 33 years doing national security work for the federal government, travelling and working abroad in unstable, sometimes unsafe locations. These experiences continue to directly impact my figurative paintings.
As described by Associate Curator Erica Harrison, Greater Reston Arts Center, the figures “seem to be on the fringe of existence, evoking distant thoughts of fleeting memories or dreams.” It’s inevitable that my life experiences would evoke a general vulnerability of humans, as well as a celebration of resilience and the will to survive. I find that regardless of culture, education, ethnicity, and social status, people all over the world have the same needs and desires. They want safety and security. They desire a better life for themselves and their children. My artwork reflects this universal concern of modern life.
Place a human figure in an image and immediately the picture takes on relevance. It becomes personal. It suggests a narrative. It’s open to questions – who, what, where, why, when. For me, evoking these feelings and questions transforms the image into a deeper exploration of what it means to be human.
Making new paintings and enjoying the fall light coming in the studio windows. This fabulous sunny weather gives off an aura of well-being, which translates to lively, exciting work.
Forget painstaking, impeccably rendered images. I’m talking free-flowing gestures. Intuitive sweeps of the brush. It feels like endless possibilities.