Honored to have two paintings in this prestigious exhibition juried and curated by George Billis of George Billis Gallery of NY and LA. Available online at http://www.artessexgallery.com through December 31, 2020.
Very excited to be featured in this article by Robert F. James in the Public Broadcasting Service online journal, Next Avenue. And, thanks to Danielle Glosser, Principal of Client Raiser, for putting us together.
Three new pieces in the studio. Left to right: Jesse 20×20; Sonny 36×36; Sigrid 20×20
Love the feel of these three pieces. Each carries his/her own personality and character, filled with ambiguity and charm, strength and concern. Their commonality lies in their uniqueness – a singular take on modern life and survival. Each individual is one of a kind, exceptional and extraordinary. Every human being carries a unique signature, like DNA, that reflects how life has been lived and how it’s to be continued. Rare, strange and different are high accolades, not something to be shunned. Better to stand out than fit in.
Contact the artist for details: firstname.lastname@example.org
See more paintings on instagram @leslienolanstudios
I’m so honored to have my enigmatic painting on the cover of the September 2020 issue of American Psychologist Journal. Now in the custody of one of my collectors, this painting has always been one of my favorites. I like the color, the movement, and the ambiguity. I feel yellow always conveys hopeful and positive emotions
The title comes from a poem by Theodore Roethke, a Pacific Northwest poet much beloved during my undergraduate years. Both poem and painting exude a sense of loss as well as moving on into the future. The image imagines a confidence and purpose as the figure continues on the journey. More on this in a future post.
Happy fall to all of you.
Just completed this darling small painting, which I think exemplifies the confusion, uncertainty and bizarre-ness of this current era of coronavirus pandemic. In addition to real danger from the spreading virus, our entire way of life has altered, creating a need to adapt in a unique environment.
Jesse, an imaginary figure, will thrive and serve to remind us of this historic period in our lives long into the future.
Artwork available through Calloway Fine Art & Consulting
1643 Wisconsin Ave NW, Washington DC 20007
This highly personal artwork has just been juried into the National Exhibition “Ethos: Spirit of Community” at the Fredericksburg Center for Creative Arts Gallery. Opening on August 1, 2020, the exhibit runs through the month, featuring work juried by guest curator Carolyn Goodridge.
“Oluf,” 36×36 inches is an acrylic painting on stretched canvas completed in 2019. The artwork is a highly personal image, the imaginary visage of my great grandfather Oluf who immigrated to Montana from Norway in 1857. Having left his home due to crop failures and economic poverty, he sought a better life in the United States, and became one of the earliest pioneers in the Farmington area where he ranched and raised a family.
His story in this painting exudes the feeling of independence, resourcefulness, tenacity and daring which characterizes both strong pioneer temperament and immigrant experience.
Proud to display Sylvie, above, in the studio after this summer’s exhibition at CATO Institute’s “Freedom: Art as the Messenger” in Washington, DC. Bold, stark, and arresting, Sylvie commands attention in a thoughtful way, open to many and varied interpretation. While minimal in execution, it’s packed with potential in terms of content. It looks great on any wall. Contact me for purchase. Cheers
Just completed and available in the studio. Sized 36×36 inches, Raul appears enigmatic with eyes that have much to say if only we could interpret them. This kind of painting thrills me with its ambiguity and arresting quality. It makes one think. It’s not just pretty wallpaper.
Newly completed and available in my Virginia studio. Contact me directly – email@example.com
This enigmatic piece has been accepted into the national juried exhibition of the Marin Museum of Contemporary Art in California. The exhibition, “Content Matters,” features “consequential work that tells stories and captures the attention of visitors.”
My painting is the first in my “Corrected Vision” series which addresses feeling and seeing and the moment when one’s ideas have finally clarified. Sometimes we are blinded by misperception, wishful thinking and faulty logic. This series of paintings reflects the moment of clarity when truth is revealed. We have all experienced periods of being mislead or of assuming the best, and I think everyone can empathize with the emotion of finally recognizing the stark truth.
The exhibition’s curator and judge is well-known San Francisco gallerist Jack Fischer. Thanks to Marin MOCA for the opportunity! If you’re in the area, stop by and check out the show. This artwork is for sale.
Marin MOCA — 500 Palm Drive, Novato, CA – – marinmoca.org — firstname.lastname@example.org
June 15 – August 4, 2019 — Opening Reception June 15, 5-7 p.m.